It wasn't long before gigging musicians saw the appeal too. It was designed as an alternative to heavy, expensive spinet and upright pianos. The 112 was marketed towards parents, students, and home users. Even the transistor models of the 60s and 70s have their own sound: similar, but not exactly the same as their earlier counterparts. There's just no plugin or emulator that compares to an authentic tube Wurlitzers. This gives it an exceptionally warm and lush tone. Like the 120 and 145, the 112 has a tube amplifier. Between its size, speckled paint, and midcentury lines, this is definitely a statement piece. ![]() A vintage keyboard is never going to fade into the wallpaper, but the 112 has a clear presence in a room. The 112 also has a unique silhouette: slightly deeper and taller than later Wurlitzers.
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